Watercolor Brushwork Tutorial By Steve Fleming

About Steve

I am an artist and teacher who primarily works in watercolor. I have been painting for nearly 35 years, and teaching for 14. I believe that the goal of art should be a creative interpretation of the world around us and not the perfect rendering of what we see. I also strongly hold that art is a process not just a product. We should spend more time involved in the making and experiencing our art and less time worrying about the successful marketing of the piece we are working on. Good art is the result of hard work and dedication, but it only happens when the artists finds their own story to tell.

Please click here to visit Steve’s website to learn more about him and to view his work.

Brushwork

Although it is sometimes not what we notice first about a great watercolor painting, expressive brushwork is one of the most important qualities of a good work. Due to the fact that watercolor is fairly hard to remove from the paper and is somewhat less workable than oils, pastels, graphite and to some extent acrylics through the use of overlaying opaque colors on top, it is critical that you begin and end the painting with solid and creative brushwork. It will be very difficult to correct sloppy and repetitive brushwork in those major areas of the painting. Think of the trees you have painted with brushwork that evoke the look of a broom, not an elm, or the water you painted that has the feeling of a parking lot, not a tranquil pond or the light on the side of a model’s face that looks like an advertisement for a beard commercial and you will understand that your freedom with the brush is a critical factor is expressing your creative intent.

Now I must say that there are times when you apply paint in big washes or solid color forms without a major concern for the individual brushwork, but you still want the brushwork in these forms and pieces of color to be reflective of your intent for this area of the painting and not be cluttered movement, conflicting movement or unintentional texture. If brushwork is not an important consideration in your painting then your work will not have the finish or quality of a masterful painting.  Learn to apply your paint with a purposeful and deliberate brush stroke and try to avoid continual rubbing onto the painted surface with a wet and soggy brush.  Get in the habit of thinking about the brushwork before you touch the paper and then have a confident and direct approach when your brush is in contact with the paper. The brush is the extension of your creative intent — it is your partner in the process, not just a stick with hair on it. Until we get to the point of painting with our hands and feet, the brush is the major way that the paint will get on the paper and the painting will always record for the viewer the  skills you possess in brushwork. Neglecting the improvement of your brush skills will always hold back your painting progress.

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