6 posts tagged “art”
Everybody looks for a label. I would like to be known as a painter one who painted what he saw while wandering around on his journey.
Don Sahli made the decision to become a professional artist at a very early age. By the time he was 17 years old, galleries in Texas and New Mexico were selling his paintings. Sahli has earned his living as a professional artist all his adult life. Presently, his work is represented by galleries in Colorado, North Carolina, New Mexico, Wyoming and Texas.
When I look at a painting, I want it to bring me back to when I was on the scene. I want it to convey the drama and emotion that first captured my attention, the atmosphere, and the soul of the place.
Sahli’s work contains stylistic echoes of the Russian masters, particularly evident in his uninhibited use of color, his stern originality and unique vitality. As the last apprentice to the Russian colorist, Sergei Bongart, Sahli sustains an important artistic legacy, one passed from Ilya Repin, the fountainhead of all modern Russian painting, to Nicolai Fechin, to Peter Kotov, to Sergei Bongart to Don Sahli.
My teacher taught, his teacher taught, and I wanted to keep this tradition alive and give something back.
In 1995, carrying on the legacy of his teacher, Sahli opened Sahli School of Art in Evergreen, Colorado. He lives with his wife, Cindy and their two sons, in their mountain home near the school.
Q - What medium or mediums do you work with?
A - I am an oil painter - on canvas or board - depending on the
size of the painting and where I am painting - studio or plein air.
Q - How long have you been an artist? How did you get started?
A - I have been an artist all my life. I sold my first painting at age 14 or 15. When I was 17, I took my work to a gallery in Taos, NM, the gallery director accepted it and sold my work for several years. I have continued to show in galleries around the country since that time....
Please click here to read the rest of this Artist Interview....
About Pamela E. Miller Contemporary Art
“By cultivating the beautiful we scatter the seeds of heavenly flowers, as by doing good we cultivate those that belong to humanity” -Robert Heinlein
These are just a few words that I like to live by. I feel that creating art is a way of sharing your soul with others. As you will see in my artwork: sometimes I am very flamboyant and always colorful, sometimes confidant and peaceful, other times angry or chaotic. I think all of my emotions; passions come out in my works. Sometimes I layer it on thick (paint and words) and other times I flirt with the canvas with light feathery strokes. My art reflects my beliefs in love, warmth, generosity, loyalty, and honesty. I’m inspired by science, fantasy, martial arts, architecture, and nature (especially water).
Brian has no formal training in art. He is self taught and learns most from a careful observation of the order and design of the natural world . He believes that “nature is the artwork of a creator/master artist who displays a wisdom and a genius that we have only begun to understand”. His focus is to create art that will cause the soul to search for a deeper meaning in an increasingly chaotic world.
He started striving for a photo realism style in the 1990’s and achieved it to some degree, but, he found the style did not evoke much emotion and set out on a journey to find a style that was realistic but, with a much looser impressionistic approach.
Brian got the idea for this painting while on vacation in Newfoundland. The quiet and serenity of this area was what he wanted to capture in the painting...
Click here to view this acrylic painting lesson...
I just added a new painting demonstration to my blog by the very talented artist Richard Ancheta.
Richard Ancheta first began to paint at the age of 12 years old and took painting lessons with well known Filipino artist and illustrators. His devotion and vision as an artist are promising. He studied Multimedia Design at Montreal International Academy of Design. Richard works in various mediums: oil, acrylic, watercolor, pastel and charcoal. His works have been featured in newspapers, magazines and books. He boast 20 years of experience in painting, illustration, advertising and graphic work.
I have a wonderful step by step painting demonstration to share with you today. It is another beautiful work by artist Lorraine Vatcher. The title of this painting is "Reflections of Pink and Green”.
Click here to view the acrylic painting demo...
Oil painting brushes come in a wide variety of sizes and shapes and this can sometimes overwhelm a beginner. This article will provide you with an overview of the various oil painting brushes available and help you decide what kind of brushes you should invest in.
BRUSH TEXTURES
Oil painting brushes come in two different textures basically, and they are classified as hard and soft. Hard brushes are generally referred to as “bristle brushes” and they are quite resilient. Hard brushes are made from hog's hair and they are strong and stiff. They will hold a good amount of paint and can handle the oil painting medium quite well. I personally prefer working with bristle brushes exclusively as I tend to paint rather rough and direct.
Soft oil painting brushes are made from softer hairs that come from animals like sable, squirrel, or mongoose. Softer brushes will generally give your painting a softer smoother appearance and are more often used for finishing or detailed work. Sable brushes are the most expensive usually but there are synthetic brushes made of nylon that are very good substitutes for sable. They are more resilient and cheaper than sable.
BRUSH SHAPES
There are five shapes to brushes that are generally used and each is meant to have its own function. I prefer to paint with flats, brights and fliberts of various sizes, and only occasionally make use of the other shapes. This is my preference and you will certainly develop your own the longer you paint with oils.
Flats
Flat oil painting brushes have a wide square end with medium to long hairs. Flat brushes generally have a lot of spring to them and can hold a lot of paint. You can use these brushes for broad sweeping strokes or you can turn the brush on its edge to create fine lines. Flat brushes are great for earlier stages of a painting when you are blocking in large areas.
Brights
Bright oil painting brushes are similar in shape to flat brushes but the hairs are shorter. They are best used for making shorter controlled strokes. They do not hold nearly as much paint as a flat brush.
Filberts
The filbert is also similar to the flat brush only the edge of the brush comes to a rounded shape. The hairs of the filbert are medium to long in length. This rounded shape will give you more control then a bright. The filbert is great for blending and figurative work.
Rounds
A round oil painting brush has a round or pointed tip. They hold a nice amount of paint and are great for making thin or thick lines. Use this brush for dabbing on dots or blotches of color. Round brushes are also good for washes, fills and detailed work. They are not suited for creating hard straight edges.
Fans
The fan oil painting brush is a flat fan shaped brush. The fan brush is a specialized brush. It is either used very often by the artist or not at all. It really depends on your style of painting. This brush is not suited for holding paint. It is used more often for blending colors and you should keep this brush clean and dry if you plan to do a lot of blending during a session. The brush will begin to lose its effectiveness when it becomes filled with paint. You may want to keep a few extras on hand.
BRUSH SIZE
Oil painting brushes come in a variety of sizes indicated by numbers as in 1,2,4,6,8,10; size 1 being the smallest and 10 the largest in this example.
BRUSH MANUFACTURERS
Oil painting brushes are made by a number of different manufacturers. A few of the more popular brands are Winsor & Newton, Silver Brush and Robert Simmons. Some artists prefer one brand over another. Other artists like to have an assortment of different brands available. The only way you will know what you like best is by working with the brushes yourself.
CARING FOR YOUR BRUSHES
No matter what brush you buy, whether they are top of the line expensive brushes, or cheaper ones, you will definitely get more life out of them if you care for them properly. There seems to be a difference of opinion when it comes to brush care, especially when it comes to drying your brushes. I personally have two products on hand for cleaning and conditioning my brushes: Masters Brush Cleaner and Preserver and Mona Lisa Pink Brush Soap. I have found that the Masters Brush Cleaner works great on brushes that are deeply stained and hardened with paint, that I would have otherwise thrown out. I use the Mona Lisa Pink Brush Soap to clean my brushes right after a painting session. These cleaners will also help condition your brushes.
After washing my brushes with either of these cleaners, I then attach a clothes pin to the handle of the brush and rest the clothes pin on the edge of a counter or table so that the brush is hanging with the bristles pointing toward the floor. Gravity then pulls the moisture from the brush so that it does not collect in the ferrule, which can damage a brush over time.
I hope this article has helped. Best of luck and happy painting!�
For more free oil painting lessons visit: http://www.creativespotlite.com/oil-painting.htm today! Be sure to also check out the Creative Spotlite Art Instruction Blog for more free art lessons & instruction.
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